It strikes me as odd, the amount of Claerhout paintings that have popped up for sale in recent times. Not only on Bid or Buy but the wider art market in general. That forgeries are being made is a fact:
What does one do to avoid a forgery? Here are a few things to consider:
- Claerhout 'forgeries galore': News24: xArchive: Archive
- Artist Claerhout dies: News24: Entertainment: South Africa
- News - General: SA artist unveils a landscape of deception
Price.
Is the painting too cheap? Forgers are greedy and will seldom market a painting at or near its true value. They will offer big discounts that an honest art dealer who had to buy the artwork for resale just cannot compete with. Forgers after all don't mind selling at reduced rates because they have an unlimited supply!
Availability.
Are there just too many? When an artist dies the production of his works is meant to come to an end. You will then find some owners who wish to cash in on their investment at the new prices, and there will usually be an initial run on buying and selling a deceased artist's work. This flurry of activity usually quietens down, prices stabilise and pieces will from time to time appear on the market. If however, years after an artists death, a whole collection of new works appears on the market, this must be questioned.
Context.
Can the painting be associated with a distinct phase in the artists life, and thereby be dated accordingly? Can the seller of the painting tell you where and when he bought the painting and who owned it before that. If one follows this process of enquiry, one ought to end up back at the artist usually with an art dealer or other private owner along the way. If a seller claims to have bought a huge collection of paintings direct from the artist, and has been keeping them for years as an investment, then the chances are good that his claim can be authenticated by supplying dates, names of people he met while putting the deal together (Few artists are hermits, usually they have many people about that can verify a large deal was in fact done) and possibly even proof of payment. In Claerhout's later years, because of the forging of his works, he would often have a photograph of himself taken with the painting (Larger works mainly) to authenticate the work.
Signs of aging.
Even a painting that is just a year or two old has signs of aging. Paintings are handled, framed and re-framed and bear the scars, however small, of these processes. If a painting looks like it just came off the easel, it probably did.
Question the Authenticity.
If as a buyer you are going to spend money on someone else's product, it is your right to ask for a degree of authentication. The more money you are spending the better the efforts made to verify authenticity ought to be.
Greed and Common Sense.
I have already made reference to the greed of the forger, but the greatest ally in his nefarious activity is the greed of the buyer. Often people will go to great lengths to convince themselves that a painting which they are buying is genuine, just so that they can achieve a work by that artist at an absolute bargain. Use common sense to combat this tendency.
The advice that I have given here is purely a service to any prospective buyer, in this case specifically of Claerhout paintings. The opinions I have expressed here are in no way aimed at any particular dealer.
Any questions:


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